QuickFrame Pricing Overview

We have been using Quickframe for about a year now as a marketplace for my studio, Enjoy New Media. Over this period, we've watched it develop into its current form, and I look forward to seeing it continue to improve with each update. I genuinely appreciate the new platform—it has made the preproduction process much smoother with every client we've worked with. The AI chatbot has also proven to be quite helpful for answering general platform questions. Review collected by and hosted on G2.com.

The bidding process feels somewhat restrictive. It’s a bit of a double-edged sword: on one hand, there usually isn’t a need to prepare a creative pitch when submitting a bid which makes it quick and easy, but on the other, I sometimes think having that option could be the deciding factor between winning and losing. If there were a way to include a creative pitch deck, it would be a valuable addition. Another improvement I’d like to see is a chat feature for direct communication with clients—perhaps even Slack integration. While the activity log is functional, I’ve experienced long waits for client responses, which can be frustrating. Review collected by and hosted on G2.com.

In my opinion, what QuickFrame provides is truly impressive, especially for newer or smaller creators and creative agencies. They make it simple and efficient to secure projects in a short amount of time. Thanks to their platform, I was able to nearly triple my portfolio within just a few years, collaborating with clients I never would have anticipated working with. Review collected by and hosted on G2.com.

What I find most challenging is that some of the packages they've developed are priced far too low. For example, there are projects that require two unique 30-second creatives, two 15-second cutdowns, and then a huge number of resizes, all for typically less than $12,000. I once came across a project with nearly 50 deliverables and a budget of about $11,300. When you break that down, not even factoring in production costs, it comes out to roughly $225 per output. Once you include actual production expenses, talent and music rights in perpetuity, the post-production budget is likely only around $7,000, which drops the net per asset to about $150.

In my experience, QuickFrame seems better suited for those who are just starting out or for very small teams. The volume of projects can be inconsistent, especially as the platform has grown a lot in recent years. Some years, I might work on more than eight projects, while in others, I only get four. Review collected by and hosted on G2.com.