
The biggest upside to using Final Cut Pro X as my video editor is that, unlike other editing programs that are subscription-based, you can buy Final Cut Pro for a one-time price. On top of that, it’s reasonably priced and affordable for just about anyone who needs a reliable non-linear editor.
When I edit, I like to keep all my files organized by type (i.e., video, audio, SFX, timelines), and Final Cut is great for streamlining that workflow. Each project starts with its own “Library,” which acts as the master file that holds everything. From there, you can create specific “Events” within the “Library” to separate and manage each type of media you’re working with.
Final Cut also offers “Background Rendering,” which is a huge time-saver. You don’t have to stop and wait for a render bar to finish before you can preview your effects—FCP renders in the background while you keep working.
Finally, Multicam Editing is extremely convenient because you can sync multiple clips and switch to the angle you want simply by clicking the shot in the Multicam viewer. Review collected by and hosted on G2.com.
The biggest drawback to Final Cut Pro, in my opinion, is its limited availability. Since it’s exclusive to Apple, there’s no official Windows version, so unless you’re a Mac user, you’re essentially shut out from using Final Cut as your video editor.
If you already know the basics of non-linear editing, it’s fairly easy to get up to speed with the primary functions. That said, once I move into more advanced features—especially keyframing—I feel like I have more control in other editing software.
I’ve been using Final Cut Pro for nearly 20 years, and I still run into issues with color correction and color grading. Even though there are several ways to approach it, I struggle to get my clips to match evenly, and I often end up spending more time than I should trying to refine the color across my projects. Review collected by and hosted on G2.com.
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