I use Dehancer for almost everything, from wedding color grading to corporate videos. When I need specific looks similar to analog textures, it's a perfect ally. The film grain and halation tools work very well for certain projects and help me with texture and narrative. I like that it is constantly updated with the latest cameras and has consistent support, all integrated into one tool and running quite smoothly. The results are very good and professional. I found it easy to use, and the documentation is helpful for understanding the sub-tools, their physics and logic, and when to apply each one. For me, it's not just another filter, but a way to give intention to each production. I always recommend it.

I like that it's super straightforward and easy to use, with all the parameters you'll need in one node, giving you so much control over your look. It integrates really well in my resolve workflow. I can add so much tactile character and depth to my footage, while still being able to shape and grade it in my own way.

I use dehancer extensively on shorts, features and branded content for final look creation. It's granular controls for things like grain and bloom as well as professional options for spaces such as ACES are key. I can use it for a deeply textured film look or a cleaner digital look with ease.