Audacity changed my understanding of mastering because of the number of its functions. Of course, sound mastering as I knew it had tools and devices that hardly anyone did allow themselves. By the way, the first experiments with mastering and sound producing were in times when there were no computers in every home, but there was a need to record myself as an MC.

Since Audacity came, it is easier to make. Its functions include recording when there are sound inputs from the internal source, like a microphone. The first track covers the next ones, consequently, to give a mix. If the project includes additional sound effects, the producer finds it in the library, which contains dozens of filters. The upper drop-down menus are a way that users know to be close with.

Audacity suggests operations with soundtracks to create projects: analyze the frequencies, create graphics, cut and merge tracks, use extra effects, and create macros. The complete project is ready to use in podcasts, making sound presents, and accompanying group meetings. Review collected by and hosted on G2.com.

The production requires extra attention to input materials' quality as well as extra noises, which interfere with the result. In this case, the sound, like from an old gramophone, is guaranteed. Nevertheless, if it is a part of a creative idea, every sound plays its role in the whole. Review collected by and hosted on G2.com.